"Ki Tisa" Print

from $30.00

Prints are archival quality Giclee prints. Paper prints take 2-4 business days plus shipping and canvas prints take 5-7 days plus shipping. Custom sizes and rush options are available, please contact us for details!

Paper is 340g, Bright White, water-resistant velvet fine art paper made from 100% cotton fiber and is acid and lignin free. Extremely thick durable paper for premium archival prints.

Canvas has a 1.5” gallery wrap and satin finish.

Ki Tisa

This week, we meet the artist Betzalel. Endowed with ruach elohim, he is tasked with building the ornate and beautiful Mishkan. Later in the Parsha, we read of Aaron who, in an effort to appease the Israelites who feared that Moshe might not come down the mountain, melts down their gold jewelry to create the golden calf. This sculpture acted as a security blanket, reminding them of their idolatrous past in Egypt, which--though traumatizing--was known to them. When Moshe sees this, he shatters the tablets in complete despair.It’s no mistake that the word אמונה faith shares a root with the word אמנות art.Our parsha contains two creative processes with completely different motives. One based on fear of the future and the faith in the past; faith in the known and familiar. The second process is art. It’s leaning into the unknown in faith and hope in the future. How can we bring more emunah to our omanut, to all of our creative endeavors on this planet?

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Prints are archival quality Giclee prints. Paper prints take 2-4 business days plus shipping and canvas prints take 5-7 days plus shipping. Custom sizes and rush options are available, please contact us for details!

Paper is 340g, Bright White, water-resistant velvet fine art paper made from 100% cotton fiber and is acid and lignin free. Extremely thick durable paper for premium archival prints.

Canvas has a 1.5” gallery wrap and satin finish.

Ki Tisa

This week, we meet the artist Betzalel. Endowed with ruach elohim, he is tasked with building the ornate and beautiful Mishkan. Later in the Parsha, we read of Aaron who, in an effort to appease the Israelites who feared that Moshe might not come down the mountain, melts down their gold jewelry to create the golden calf. This sculpture acted as a security blanket, reminding them of their idolatrous past in Egypt, which--though traumatizing--was known to them. When Moshe sees this, he shatters the tablets in complete despair.It’s no mistake that the word אמונה faith shares a root with the word אמנות art.Our parsha contains two creative processes with completely different motives. One based on fear of the future and the faith in the past; faith in the known and familiar. The second process is art. It’s leaning into the unknown in faith and hope in the future. How can we bring more emunah to our omanut, to all of our creative endeavors on this planet?

Prints are archival quality Giclee prints. Paper prints take 2-4 business days plus shipping and canvas prints take 5-7 days plus shipping. Custom sizes and rush options are available, please contact us for details!

Paper is 340g, Bright White, water-resistant velvet fine art paper made from 100% cotton fiber and is acid and lignin free. Extremely thick durable paper for premium archival prints.

Canvas has a 1.5” gallery wrap and satin finish.

Ki Tisa

This week, we meet the artist Betzalel. Endowed with ruach elohim, he is tasked with building the ornate and beautiful Mishkan. Later in the Parsha, we read of Aaron who, in an effort to appease the Israelites who feared that Moshe might not come down the mountain, melts down their gold jewelry to create the golden calf. This sculpture acted as a security blanket, reminding them of their idolatrous past in Egypt, which--though traumatizing--was known to them. When Moshe sees this, he shatters the tablets in complete despair.It’s no mistake that the word אמונה faith shares a root with the word אמנות art.Our parsha contains two creative processes with completely different motives. One based on fear of the future and the faith in the past; faith in the known and familiar. The second process is art. It’s leaning into the unknown in faith and hope in the future. How can we bring more emunah to our omanut, to all of our creative endeavors on this planet?

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